MEET DAN SANTONI

I’m Dan Santoni, a photographer, computer graphics artist, and art director with over three decades of experience in the visual arts. My work has always centered around storytelling—whether through a single image, a moving sequence, or a fully built world.

From my roots in Detroit to my creative base in Los Angeles, I’ve committed my career to crafting visuals that resonate, provoke, and endure. I work across mediums, but the goal is always the same: to bring imagination to life with clarity, beauty, and impact.

A CREATIVE GENESIS IN THE MOTOR CITY

I began my journey in Detroit in the early 1990s, where my love for photography took shape through constant experimentation and an insatiable drive to create. I was drawn to the emotion a still image could hold—the way it could speak without words.

Early recognition from publications like the Detroit News and the Detroit Metro Times helped cement my path and sharpen my focus. Those formative years were driven by resourcefulness, instinct, and a deep connection to the creative community around me.

SONIC INFLUENCES

Detroit’s underground music scene in the mid-1980s left a lasting imprint on how I think about visual rhythm and structure. The sound, the subculture, the visual language—it all became part of how I see and create.

That influence shows up in my work to this day. It taught me to lean into energy, to create tension and atmosphere, and to use light and texture the way a musician uses tone and distortion. It shaped my creative instincts in ways that still inform every frame.

CRAFTING MULTI-SENSORY JOURNEYS

In the early 1990s, I expanded my creative reach by producing immersive events that blurred the line between art and experience. These were full-spectrum environments featuring live DJs, projection art, sculptural installations, and layered media.

Venues like the Majestic Theatre, The State Theatre, and 2036 became creative laboratories—spaces where I could experiment with light, sound, and spatial design. These events were about more than entertainment. They were a way to build community through art and sensation.

EMBRACING THE CITY OF ANGELS

I relocated to Los Angeles in 1994 with a clear focus: to expand my work in visual media and grow as a creative professional. The move was both a challenge and an opportunity to step fully into an industry that demanded high-level execution and original vision.

Since then, I’ve developed a practice rooted in conceptual photography, visual effects, and artistic direction, collaborating with musicians, directors, and performers across a wide range of genres. Los Angeles has been both a canvas and a catalyst for my evolution.

CLIENT LIST

My professional collaborations include a range of visionary artists and entertainers. I’ve worked with talents such as Margaret Cho, director John Carpenter, Kelly Hu, Sandy King Carpenter, Danielle Harris, Patti Negri, Susan Slaughter, and Zack Ward. Each collaboration has brought its own challenges and rewards, deepening my creative approach.

I’ve also had the privilege of working with musical legends including Coal Chamber, Lords of Acid, KMFDM, Scott Weiland, David J (Bauhaus, Love & Rockets), Skinny Puppy, and ohGr. My work has been featured in publications such as People Magazine, Runway Magazine, Revolver, Guitar World, Metal Hammer, Metal Edge, Rue Morgue, Strings, Sound on Sound, Mix, and Imago.

These features reflect the diversity and depth of the projects I’ve taken on.

Margaret Cho

GALLERIES & EXHIBITIONS

My work has been exhibited in galleries throughout the United States, where I continue to explore photography as a fine art form. From curated shows at Mr. Musichead Gallery to exhibitions at the Rebecca Molayem Gallery in Beverly Hills, each installation offers a different way to engage with the viewer.

These exhibitions are more than displays—they are conversations, each one revealing new dimensions of the work. Gallery space allows for a slower, more intentional encounter with the image, something I deeply value.

ON-SET ART DIRECTION

My experience in on-set art direction has allowed me to contribute to some of the most ambitious visual projects in film and television. I have been fortunate to work on productions such as Game of Thrones, Life of Pi, The Golden Compass, and many others.

These roles require more than technical skill. They demand creative foresight, an understanding of narrative flow, and the ability to collaborate under pressure. I approach each production with a clear vision and a disciplined execution, always aiming to elevate the visual narrative.

CREATIVE COLLABORATION

What defines my work is the ability to connect. Whether I am crafting a digital composition or directing a portrait, I begin by listening—by understanding who or what I am working with on an artistic, psychological, and human level.

I take pride in creating visual environments that feel intentional and deeply considered. Each project is different, but the goal is consistent: to find what is honest and compelling, and bring it to the surface with technical precision and creative integrity.

FOUNDATIONS IN ART & CURIOSITY

My formal education at Wayne State University gave me a strong foundation in both fine art and photography. Earning a Bachelor of Fine Arts provided the critical framework that still supports my practice today.

Art school refined my technical skills, but more importantly, it taught me how to ask better questions, how to study light, and how to remain curious. That foundation continues to guide how I approach each new challenge and collaboration.

MASTERY OF CUTTING EDGE TOOLS

I maintain a fluent command of industry-standard software including Unreal Engine, Nuke, Maya, Houdini (lighting and generalist work), After Effects, Adobe Premiere, Blender, Lightroom and Luminar Neo. These tools enable me to expand creative boundaries and deliver refined, high-impact visuals across a variety of formats.

Technology is never the end goal, but it is essential to execution. I use these platforms not just to keep pace with the industry but to stay ahead of it—translating concept into reality with both artistry and precision.

CREATIVE EXCELLENCE, BUILT ON TRUST & CRAFT

I bring a balance of vision, experience, and adaptability to every creative project. Whether you need a collaborator in photography, visual effects, or full-spectrum art direction, I approach the work with focus, respect, and a commitment to quality.

If you are looking for a creative partner who leads with clarity, builds trust, and delivers powerful visual work, I would be honored to be part of your next project.

DAN SANTONI

Dan Santoni

AWARDS

Dan has worked on two Academy Award winning films: The Golden Compass and Life Of Pi.

Dan’s awards also include projects with Rhythm & Hues Studios, an Academy Award-winning character animation, visual effects and design studio.

2018 Game of Thrones – Emmy Winner, Outstanding Special Visual Effects
2018 Lost in Space – Emmy Nominated, Outstanding Special Visual Effects
2016 The Walking Dead – Emmy Nominated, Outstanding Special Visual Effects
2015-16 Game of Thrones – Emmy Winner, Outstanding Special Visual Effects

Dan Santoni - Emmy Award, Game of Thrones
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